2014, 04:50 min, color, sound
Film by Joan Bofill
Music by Pierre Bastien and Dogon
Where could one find a small mountain of teeth, an aerostat, a cobblestone laying machine, a complex system to predict the weather and the speed of the wind or the story of a mercenary and a damsel? That’s what the art of Raymond Roussel is all about: creating spaces that favor the most unusual encounters, engender creatures and machines never seen before. This is the case of the extraordinary “hie”: a device that following the development of the wind, composes a mosaic made with fine teeth only. Roussel’s bollard machines inspired Duchamp, Dalí and others like Carelman or Jacques Arseneault. We will see a century later how the same language and similar elements keep stimulating the imagination of great artists so as to offer new wonders.
2014, Fundació Antoni Tàpies, Barcelona, SPAIN
2014 La Hie. Hommage à Raymond Roussel
Conference with Arnau Puig, Albert Serra, Hermes Salceda and Joan Bofill
Press & Articles
2016, Hermes Salceda
Nuevas andanzas de una máquina soltera de Raymond Roussel: el compactador de suelo de Joan Bofill
2014, Enrique Vila-Matas
Hie, Hie, Hie
2014, Arnau Puig
I si Raymond Roussel fos això?